It is fine to say, as many do, that drawing is good for you, but so is singing, and so is the Eurovision Song Contest. The high octane drawing of the twentieth century greats – Matisse, Picasso, Giacometti, Dubuffet, de Kooning, Tàpies, Polke, would be on my list, and certainly Daniel Clowes – is more than this. It breaks through the ‘sound drawing’ decorum preached in the pages of The Studio.Pride, prejudice and the pencil. James Faure Walker. From Writing on Drawing, p. 90